The next open workshop at The Storied Imaginarium starts the first week of March and runs through the first week of May. Best of all, it’s not too late to register! If you’ve been looking for some inspiration to help you jumpstart your creativity, this is your chance!
There are two workshops running this spring: Monday evenings 6-8:30 pm MST (5-7:30 PST; 7-9:30 CST; 8-10:30 EST) and Tuesday evenings from 6 to 8:30 pm MST (5-7:30 PST; 7-9:30 CST; 8-10:30 EST). There are only a couple of open seats left, so act soon. We hope you will join us at The Storied Imaginarium!
As a participant, you will have the opportunity to mine fairy tales, history, science, and other prompts to write 6 stories + 2-3 revisions over the course of 10 weeks. The maximum word count is 3,000 words per story. The portfolio can include up to 3 story revisions up to a total of 10,000 words. The portfolio sessions are held during the last two weeks. The price is $500 with a 10% discount for returning participants. Workshops are capped at five participants per group (plus facilitator!)
The modules for Spring 2021 will be:
MODULE 1: “East of the Sun, West of the Moon” & Cartography MODULE 2: “Rumpelstiltskin” & Alchemy and Transmutation MODULE 3: “The Flayed Old Lady” & Anti-Aging Research MODULE 4: “The Wild Swans” & Social Isolation MODULE 5: “Rapunzel” & Foraging MODULE 6: “The Story of Urashima Taro” (Japanese Fairy Tale) & Underwater Realms and Sunken Cities
REGISTRATION: To save a seat for Intersections: Science Fiction, Fairy Tales and Myth, send an email request for an invoice to Carina Bissett at firstname.lastname@example.org. The fee to attend the workshop is $500, payable to email@example.com via PayPal. There is a $100 non-refundable deposit required to hold your spot with payment in FULL prior to the first class. Returning students receive a 10% discount. Space is limited.
I’m also excited to share the gorgeous cover for the StokerCon 2021 Souvenir Anthology, edited by Josh Viola. As always, Hex Publishers puts out a gorgeous book with The Phantom Denver Edition. StokerCon 2021 has moved to a virtual platform this year, but we will have the opportunity to meet up again in Denver at StokerCon 2022! The Phantom Edition of this year’s anthology includes my interview with past HWA president Lisa Morton. It was definitely a thrill to see my name on the back cover along with so many incredible writers and poets. I can’t wait to get my hands on a copy!
In 2016, I won the HWA Scholarship. It changed my life. Sometimes, I think it might have even saved my life. The news came just weeks after a bicycle accident that left me with substantial physical and cognitive damage I still struggle with to this day. The depression and pain nearly won. But then, I was rescued.
That simple phone call gave me hope. It gave me purpose. As part of my introduction to the Horror Writers Association, I met women who were compassionate instead of competitive. It was an experience unlike any other. These brilliant, bold, creative women opened doors to paths I’m still walking today.
I met other women, too. Remarkable women who held me up and guided me towards the realization of my dreams. I am lucky, indeed, to be blessed by the presence of the female friends who surround me. My life has also been enrichened by mentors who believe in me, even when I forget to believe in myself.
How can there only be a single month to celebrate the accomplishments of these women who I hold so dear? How can a mere 28 days lead to the discovery of new writers, all of those inspiring and imaginative women who I haven’t even met yet?
The answer, of course, is that a single month is not enough. It will never be enough.
There is not a day that passes when I feel alone. There is not a day, not a single one, when I am not graced by the presence of these beautiful, brave women. It’s a community I cherish with every fiber of my being. We are legion.
I feel it is important to add to this community in any way I can. One of those ways is to support writers whose work I admire. I’m also ardent in my attempts to discover new authors to follow. Even when times are tight, I figure I can purchase a book or two a month. And when I’m flush, I’m a madwoman. Books show up every few days.
As part of my reading endeavors, I’ve preordered several books scheduled to be released in February and March. Some of these writers are familiar, and some are new to me. However, I’m eager to read them all, and I hope they will be of interest to you, too.
Subterranean Press is releasing The Best of Elizabeth Hand in February. When I was at Stonecoast, I had the incredible opportunity to work under the mentorship of Liz Hand on several occasions. She was the first writer to recommend my work to an editor. Even though I was still struggling with the cognitive issues linked to my brain injury, Liz believed in me. Not only that, but she guided me away from the familiar with new ideas and challenges. She was a pivotal force behind that first step into developing a voice of my own. I have a book shelf dedicated to her work, and there is a spot waiting for my personal copy of this limited edition gem.
I remember the first story I read by Isabel Yap. It was “An Ocean the Color of Bruises,” which was published by Uncanny Magazine. I loved Isabel’s voice, so I made sure to keep her work on my radar. In addition to supporting new voices, I also make an effort to support small presses. When I saw that Small Beer Press was publishing Isabel’s debut collection Never Have I Ever, I knew I had to preorder a copy. It’s described as a collection of “Spells and stories, urban legends and immigrant tales .” Luckily, it’s also coming out this month. I can’t wait to dig in.
I love it when the stars align, which is exactly what happened when I met Julie C. Day. Her stories are magic–pure and simple. Vernacular Books included one of Julie’s stories in the future crime anthology The Way of the Laser. The stunning splendor of her world-building skills in that story led to the development of the mosaic novel project Shattered. A new installment is scheduled to come out each month in 2021. (You can read the first installment HERE.) The world Julie has built is terrifying and gorgeous and brilliant. I can’t wait to see what happens next!
Several years ago, I read the title story of this collection. It was one of those pieces that haunted me for a long time. So, when I saw that Veronica Schanoes was releasing Burning Girls in March, I knew I had to have it. In addition to the darker side of fantasy, I have a passion for fabulism. Veronica’s work reminds me of stories I’ve enjoyed by other fantasists including Kelly Link, Carmen Maria Machado, and Aimee Bender. I briefly met Veronica at the International Conference on the Fantastic in the Arts, where I awkwardly admired her creative work. She is kind and brilliant. And I think she is simply fabulous.
One of the most anticipated books of spring is All the Murmuring Bones by A. G. Slatter. Although it won’t be released until March 9, I preordered my copy way back in October. It is described as a dark, Gothic fairy tale, which is right up my alley. However, it’s also by one of my favorite authors of all time. I met Angela Slatter online back in 2016, just a few months after my accident. Not only has her work inspired and informed my own, but she has also become a valued mentor and friend. I encourage you to read her work. I promise you’ll be glad you did.
It is easy to purchase books by writers whose work I admire, but I also try to make a point of discovering new (to me) authors. In addition to dark fantasy and horror, I enjoy collecting non-fiction books on subjects of interest. It just so happens that Jess Zimmerman is releasing Women and Other Monsters: Building a New Mythology on the same day All the Murmuring Bones comes out. This seemed like a sign, so into my shopping cart it went. This book is described as a cultural analysis of monstrous women in Greek myth through a feminist lens. How could anyone resist that?
One of these has already been filled. There are only five seats remaining to be claimed.
Workshops will begin the first week of March and will run through the end of April (3/1/21-5/2/21).
The Spring workshop will be ten weeks long and include six modules. The maximum word count will be 3,000 words for each module. The portfolio will include 2-3 revisions (10K max) and these sessions will take place over the course of two weeks. The price is $500 with a 10% discount for returning participants. Email Carina Bissett at firstname.lastname@example.org or The Storied Imaginarium at email@example.com for more information.
The modules for Spring 2021 will be:
MODULE 1: “East of the Sun, West of the Moon” & Cartography MODULE 2: “Rumpelstiltkin” & Alchemy and Transmutation MODULE 3: “The Flayed Old Lady” & Anti-Aging Research MODULE 4: “The Wild Swans” & Social Isolation MODULE 5: “Rapunzel” & Foraging MODULE 6: “The Story of Urashima Taro” (Japanese Fairy Tale) & Underwater Realms and Sunken Cities
You can find the complete schedule and registration information HERE.
There is one thing all writers have in common, regardless of genre and skill. It doesn’t even hinge on author presence and publication history. At some point in every writer’s career, rejection hits. It’s just part of the game.
Yet, rejection stings. Every single time.
Prior to my current work in fiction and poetry, I had non-fiction career under a different name. I published hundreds of magazine and newspaper articles. I was a columnist and a grant writer. I compiled white papers for private companies and confidential reports for the Department of Defense. And, I contributed to dozens of travel guides; four of which I was the sole author. Yet even then, even when referrals came in faster than I could write, I still faced rejection.
When I turned my focus to fiction in 2014, I thought I had enough grit and experience to face the inevitable. However, no one told me that the rate of rejection is exponentially higher in fiction than it is in non-fiction. Being a writer of fiction is like being tossed in a pit with starving lions. It’s a blood bath.
One of the first stories I wrote as Carina Bissett was “Rotten,” a modern take on “Snow White.” In it’s polished form, it was good enough to earn an acceptance to the M.F.A. program in Creative Writing (Popular Fiction) at Stonecoast (University of Southern Maine). Yet, it took three years from this story’s first rejection to an acceptance, and it took another sixteen months after that before it ended up in print. Over the course of the three years I submitted “Rotten,” it was rejected fourteen times. I wondered if it would ever find a home.
Needless to say, I was thrilled when it was finally accepted by Mercedes M. Yardley (an award-winning author in her own right) for inclusion in an anthology published by Crystal Lake Publishing. It was even more exciting to discover that “Rotten” was slated as the final story in the book! (This was one of my “firsts” last year. In fact, my work took the coveted spot of the last story in TWO anthologies: Arterial Bloom and Bitter Distillations.)
When Arterial Bloom came out in March 2020, I didn’t think I could be happier. (Just look at the gorgeous cover!) And then, I opened my email yesterday to discover that Arterial Bloom made the Bram Stoker Awards preliminary ballot for Superior Achievement in an Anthology!
Will Arterial Bloom make it to the final ballot? I suppose only time will tell. In any case, I will always appreciate this moment. There were times when I nearly trunked this story. I became convinced no one would want to read it, which makes it all that much sweeter that self-doubt didn’t win. I’m considering this journey a lesson in patience and resilience. Sometimes, stories just need to find the right editor to believe in them. Mercedes M. Yardley just so happened to be the perfect reader for this particular story. Thank you, Mercedes! And a special thanks to all of the readers who nominated this beautiful little book. It’s been a fabulous way to start the new year!
Superior Achievement in an Anthology
Bailey, Michael and Murano, Doug – Miscreations: Gods, Monstrosities & Other Horrors (Written Backwards)
Cagle, Ryan and Jenkins, James D. – The Valancourt Book of World Horror Stories, Volume 1 (Valancourt Books)
Flynn, Geneve and Murray, Lee – Black Cranes: Tales of Unquiet Women (Omnium Gatherum Media)
Givens Kurtz, Nicole – Slay: Stories of the Vampire (Mocha Memoirs Press)
Kelly, Michael – Shadows & Tall Trees 8 (Undertow Publications)
Kolesnik, Samantha – Worst Laid Plans: An Anthology of Vacation Horror (Grindhouse Press)
Neal, David T. and Scott, Christine M. – The Fiends in the Furrows II: More Tales of Folk Horror (Nosetouch Press)
Rector, Jeani and Wild, Dean H. – The Horror Zine’s Book of Ghost Stories (HellBound Books Publishing, LLC)
Tantlinger, Sara – Not All Monsters: A Strangehouse Anthology by Women of Horror (Rooster Republic Press)
Yardley, Mercedes M. – Arterial Bloom (Crystal Lake Publishing)
I just received a parcel delivered through Royal Mail! Inside were my contributor copies of Bitter Distillations: An Anthology of Poisonous Tales, which was edited by Mark Beech and published by Egaeus Press. It is a beautiful book, and I’m beyond thrilled that my story “An Embrace of Poisonous Intent” closes out this gorgeous array of tales. I’ve been adding titles put out by Egaeus Press to by bookshelves for a couple of years now. The fact that copies of their newest anthology showed up on the last day of the year makes this story success that much sweeter.
Although 2020 has been a challenging year in many ways, it has also been one of my most productive. I finished my first novel, which I’m currently editing under the guidance of the amazing Angela Slatter. (If you have the opportunity to work with her, take it. Trust me on this.) I also wrote five original stories including “An Embrace of Poisonous Intent” and “The Stages of Monster Grief: A Guide for Middle-aged Vampires,” which came out in the October publication of Coffin Blossoms.
I will be reading a few of my poems at SFF Con this weekend on Sunday (11/8)at 11 a.m. (Mountain Time). I will be reading along with Wendy Van Camp, Akua Lezli Hope, Kimberly Nugent, and Deborah P. Kolodji. You can watch it on YouTube HERE.
I have a couple of stories that are now out in the world, so I figured it was time to write a post. “An Authentic Experience” was published in the anthology WILD: Uncivilized Tales from Rocky Mountain Fiction Writers. I wrote this piece in August 2018, after a massive hail storm wrecked havoc on Colorado Springs and the Cheyenne Mountain Zoo. Softball-sized hail destroyed several structures, hundreds of parked cars, and killed a few of the exhibits’ animals.
Luckily, the giraffes were spared serious damage. However, this had me thinking of the purpose of zoos and the fact that giraffes had just quietly slipped on Critically Endangered list. The end result was the story “An Authentic Experience”—a story about a zookeeper and the animals he cares for after Earth had been destroyed by an alien civilization. In all honesty, I just wanted the giraffes to have a chance to fight back.
I’m thrilled that the HWA Colorado Springs Chapter is now its own entity. We have a powerhouse committee of founding members and plan on creating an inclusive community for all Colorado writers working in the realms of horror and dark fiction. It’s an exciting venture, and I can’t wait to see it evolve and grow!
In my final bit of October news, I will be speaking on two panels at MileHiCon this weekend: Building SF & Fantasy Mythologies (Saturday, Oct. 23 at 1 p.m.) and Modern Age of Poetry (Sunday, Oct. 24 at 1 p.m.). Both are in the Neverland room. I have a lot to say about both topics, and I’m looking forward to the panel discussions. I hope to see you there!
Kathleen has been shortlisted four times for the World Fantasy Awards, once for the Hugos, and once for the Locus Awards, as well as winning a number of Ditmars. As a writer, she has won two Ditmars and been shortlisted for the Eugie Foster Memorial Award and for several Aurealis Awards. She will be discussing her gorgeous debut novel Flyaway and the upcoming release of her travel memoir Travelogues: Vignettes from Trains in Motion.
In addition to the discussion facilitated by myself and Nike Sulway, there will be a chance for attendees to talk with Kathleen in the Q&A session as well as an opportunity to stretch the creative muscles with a writing game. The salon is strictly limited to 20 guests. Come join us!