New Release & Stoker News

I’m thrilled to announce that my story “The Certainty of Silence” was released in the Sci-Fi & Scary charity anthology Twisted Anatomy: A Body Horror Anthology. This story was written as a protest against domestic violence. This fairy tale mash-up of “Bluebeard” and “Little Mermaid” also includes nods to the sirens found in mythology, Edgar Allan Poe’s “Ligeia,” and Angela Carter’s “The Bloody Chamber.” Best of all, the proceeds from this anthology benefit the Pulmonary Hypertension Association and the National Domestic Violence Hotline.

February has been a banner month and a great way to start the year. I was lucky enough to have the opportunity to talk about horror with an incredible group of women at Females of Fright!–an online panel hosted by HWA and WiHM. You can watch it at the HWA’s YouTube channel HERE.

In other news, the anthology Arterial Bloom made it to the Bram Stoker Award final ballot for Superior Achievement in an Anthology. My story “Rotten” is the last story in this beautiful book, which was edited by award-winning author Mercedes M. Yardley. This is the first time one of my stories has been included in an anthology under consideration for a Bram Stoker Award, and I couldn’t be more excited about it!

It’s wonderful to see so many women writers and diverse voices on this Stoker ballot! I think it’s simply marvelous, and I’m proud to be a member of an organization that works so hard to support all writers.

Last Chance to Register for Spring Workshops

The next open workshop at The Storied Imaginarium starts the first week of March and runs through the first week of May. Best of all, it’s not too late to register! If you’ve been looking for some inspiration to help you jumpstart your creativity, this is your chance!

There are two workshops running this spring: Monday evenings 6-8:30 pm  MST (5-7:30 PST; 7-9:30 CST; 8-10:30 EST) and Tuesday evenings from 6 to 8:30 pm  MST (5-7:30 PST; 7-9:30 CST; 8-10:30 EST). There are only a couple of open seats left, so act soon. We hope you will join us at The Storied Imaginarium!

As a participant, you will have the opportunity to mine fairy tales, history, science, and other prompts to write 6 stories + 2-3 revisions over the course of 10 weeks. The maximum word count is 3,000 words per story. The portfolio can include up to 3 story revisions up to a total of 10,000 words. The portfolio sessions are held during the last two weeks. The price is $500 with a 10% discount for returning participants. Workshops are capped at five participants per group (plus facilitator!)

The modules for Spring 2021 will be:

MODULE 1: “East of the Sun, West of the Moon” & Cartography
MODULE 2: “Rumpelstiltskin” & Alchemy and Transmutation
MODULE 3: “The Flayed Old Lady” & Anti-Aging Research
MODULE 4: “The Wild Swans” & Social Isolation
MODULE 5: “Rapunzel” & Foraging
MODULE 6: “The Story of Urashima Taro” (Japanese Fairy Tale) & Underwater Realms and Sunken Cities

REGISTRATION: To save a seat for Intersections: Science Fiction, Fairy Tales and Myth, send an email request for an invoice to Carina Bissett at The fee to attend the workshop is $500, payable to via PayPal. There is a $100 non-refundable deposit required to hold your spot with payment in FULL prior to the first class. Returning students receive a 10% discount. Space is limited.

A Panel and a Publication

I’m looking forward to talking about horror with fellow panelists Christa Carmen, Sara Tantlinger, Nicole Willson, Jessica Guess, and Zoje Stage at the online event Females of Fright! The panel will be moderated by award-winning author Gwendolyn Kiste. The panel starts at 8 pm (EST) on Friday, February 12. You can register here: I hope you’ll join us. It’s going to be so much! (Note: The panel is archived at HWA’s YouTube channel.)

And, if you’d like to hear Gwendolyn Kiste read one of her stories, check out the Valentine’s Day special at HWA COS. On February 14, recordings of readings prepared for last year’s Bloody Valentine event will be available for everyone to enjoy. It’s a power-packed roster including Linda D. Addison, L.C. Barlow, Andrea Blythe, Gwendolyn Kiste, Kate Jonez, Sarah Read, Marge Simon, and Mercedes M. Yardley. Also, each week during Women in Horror Month, members of HWA COS will be reading their work for the virtual edition of A Bloody Valentine. This year’s line-up includes J. A. Campbell, Claire L. Fishback, Shannon Lawrence, and Angela Sylvaine.

I’m also excited to share the gorgeous cover for the StokerCon 2021 Souvenir Anthology, edited by Josh Viola. As always, Hex Publishers puts out a gorgeous book with The Phantom Denver Edition. StokerCon 2021 has moved to a virtual platform this year, but we will have the opportunity to meet up again in Denver at StokerCon 2022! The Phantom Edition of this year’s anthology includes my interview with past HWA president Lisa Morton. It was definitely a thrill to see my name on the back cover along with so many incredible writers and poets. I can’t wait to get my hands on a copy!

A Celebration of Women Writers

In 2016, I won the HWA Scholarship. It changed my life. Sometimes, I think it might have even saved my life. The news came just weeks after a bicycle accident that left me with substantial physical and cognitive damage I still struggle with to this day. The depression and pain nearly won. But then, I was rescued.

That simple phone call gave me hope. It gave me purpose. As part of my introduction to the Horror Writers Association, I met women who were compassionate instead of competitive. It was an experience unlike any other. These brilliant, bold, creative women opened doors to paths I’m still walking today.

I met other women, too. Remarkable women who held me up and guided me towards the realization of my dreams. I am lucky, indeed, to be blessed by the presence of the female friends who surround me. My life has also been enrichened by mentors who believe in me, even when I forget to believe in myself.

How can there only be a single month to celebrate the accomplishments of these women who I hold so dear? How can a mere 28 days lead to the discovery of new writers, all of those inspiring and imaginative women who I haven’t even met yet?

The answer, of course, is that a single month is not enough. It will never be enough.

There is not a day that passes when I feel alone. There is not a day, not a single one, when I am not graced by the presence of these beautiful, brave women. It’s a community I cherish with every fiber of my being. We are legion.

I feel it is important to add to this community in any way I can. One of those ways is to support writers whose work I admire. I’m also ardent in my attempts to discover new authors to follow. Even when times are tight, I figure I can purchase a book or two a month. And when I’m flush, I’m a madwoman. Books show up every few days.

As part of my reading endeavors, I’ve preordered several books scheduled to be released in February and March. Some of these writers are familiar, and some are new to me. However, I’m eager to read them all, and I hope they will be of interest to you, too.

Subterranean Press is releasing The Best of Elizabeth Hand in February. When I was at Stonecoast, I had the incredible opportunity to work under the mentorship of Liz Hand on several occasions. She was the first writer to recommend my work to an editor. Even though I was still struggling with the cognitive issues linked to my brain injury, Liz believed in me. Not only that, but she guided me away from the familiar with new ideas and challenges. She was a pivotal force behind that first step into developing a voice of my own. I have a book shelf dedicated to her work, and there is a spot waiting for my personal copy of this limited edition gem.

I remember the first story I read by Isabel Yap. It was “An Ocean the Color of Bruises,” which was published by Uncanny Magazine. I loved Isabel’s voice, so I made sure to keep her work on my radar. In addition to supporting new voices, I also make an effort to support small presses. When I saw that Small Beer Press was publishing Isabel’s debut collection Never Have I Ever, I knew I had to preorder a copy. It’s described as a collection of “Spells and stories, urban legends and immigrant tales .” Luckily, it’s also coming out this month. I can’t wait to dig in.

I love it when the stars align, which is exactly what happened when I met Julie C. Day. Her stories are magic–pure and simple. Vernacular Books included one of Julie’s stories in the future crime anthology The Way of the Laser. The stunning splendor of her world-building skills in that story led to the development of the mosaic novel project Shattered. A new installment is scheduled to come out each month in 2021. (You can read the first installment HERE.) The world Julie has built is terrifying and gorgeous and brilliant. I can’t wait to see what happens next!

Several years ago, I read the title story of this collection. It was one of those pieces that haunted me for a long time. So, when I saw that Veronica Schanoes was releasing Burning Girls in March, I knew I had to have it. In addition to the darker side of fantasy, I have a passion for fabulism. Veronica’s work reminds me of stories I’ve enjoyed by other fantasists including Kelly Link, Carmen Maria Machado, and Aimee Bender. I briefly met Veronica at the International Conference on the Fantastic in the Arts, where I awkwardly admired her creative work. She is kind and brilliant. And I think she is simply fabulous.

One of the most anticipated books of spring is All the Murmuring Bones by A. G. Slatter. Although it won’t be released until March 9, I preordered my copy way back in October. It is described as a dark, Gothic fairy tale, which is right up my alley. However, it’s also by one of my favorite authors of all time. I met Angela Slatter online back in 2016, just a few months after my accident. Not only has her work inspired and informed my own, but she has also become a valued mentor and friend. I encourage you to read her work. I promise you’ll be glad you did.

It is easy to purchase books by writers whose work I admire, but I also try to make a point of discovering new (to me) authors. In addition to dark fantasy and horror, I enjoy collecting non-fiction books on subjects of interest. It just so happens that Jess Zimmerman is releasing Women and Other Monsters: Building a New Mythology on the same day All the Murmuring Bones comes out. This seemed like a sign, so into my shopping cart it went. This book is described as a cultural analysis of monstrous women in Greek myth through a feminist lens. How could anyone resist that?