As a fan of fairy tales and myth, I’m always on the lookout for new takes on old narratives. Last year, specialty publisher Air & Nothingness Press captured my attention with a lovely book filled with fairy tale mash-ups that had been retold in a variety of genres. I was hooked.
I backed the Kickstarter for the first anthology Upon a Once Time and delighted in the variety of stories and genres. In fact, I loved it so much that I included it in my top reads of 2020. (You can read my review at Vernacular Books.)
And then I heard whispers about a second volume in the works, and I knew I had to take a stab at my own fairy tale mash-up.
I’ve been thinking about retelling the murder ballad “The Twa Sisters,” so this seemed like the perfect opportunity to twist this particular tale in a different direction. My retelling incorporated “The Water Nixie” along with a few nods to some of my favorite folklore. I thoroughly enjoyed writing it.
Luckily, publisher and editor Todd Sanders liked it as well. I’m proud to announce that “Twice in the Telling” has joined the line-up of what is proving to be yet another successful anthology.
The support for these beautiful books continues to be strong. In fact, the Kickstarter for Upon a Twice Time funded in the first day! Six days into the fundraiser, and this second volume has reached its stretch goals. Isn’t that marvelous?
The support of small publishers is more important now than ever, and I can’t wait to see what happens as new stretch goals are added. Have you reserved your copy yet?
One of these has already been filled. There are only five seats remaining to be claimed.
Workshops will begin the first week of March and will run through the end of April (3/1/21-5/2/21).
The Spring workshop will be ten weeks long and include six modules. The maximum word count will be 3,000 words for each module. The portfolio will include 2-3 revisions (10K max) and these sessions will take place over the course of two weeks. The price is $500 with a 10% discount for returning participants. Email Carina Bissett at email@example.com or The Storied Imaginarium at firstname.lastname@example.org for more information.
The modules for Spring 2021 will be:
MODULE 1: “East of the Sun, West of the Moon” & Cartography MODULE 2: “Rumpelstiltkin” & Alchemy and Transmutation MODULE 3: “The Flayed Old Lady” & Anti-Aging Research MODULE 4: “The Wild Swans” & Social Isolation MODULE 5: “Rapunzel” & Foraging MODULE 6: “The Story of Urashima Taro” (Japanese Fairy Tale) & Underwater Realms and Sunken Cities
You can find the complete schedule and registration information HERE.
There is one thing all writers have in common, regardless of genre and skill. It doesn’t even hinge on author presence and publication history. At some point in every writer’s career, rejection hits. It’s just part of the game.
Yet, rejection stings. Every single time.
Prior to my current work in fiction and poetry, I had non-fiction career under a different name. I published hundreds of magazine and newspaper articles. I was a columnist and a grant writer. I compiled white papers for private companies and confidential reports for the Department of Defense. And, I contributed to dozens of travel guides; four of which I was the sole author. Yet even then, even when referrals came in faster than I could write, I still faced rejection.
When I turned my focus to fiction in 2014, I thought I had enough grit and experience to face the inevitable. However, no one told me that the rate of rejection is exponentially higher in fiction than it is in non-fiction. Being a writer of fiction is like being tossed in a pit with starving lions. It’s a blood bath.
One of the first stories I wrote as Carina Bissett was “Rotten,” a modern take on “Snow White.” In it’s polished form, it was good enough to earn an acceptance to the M.F.A. program in Creative Writing (Popular Fiction) at Stonecoast (University of Southern Maine). Yet, it took three years from this story’s first rejection to an acceptance, and it took another sixteen months after that before it ended up in print. Over the course of the three years I submitted “Rotten,” it was rejected fourteen times. I wondered if it would ever find a home.
Needless to say, I was thrilled when it was finally accepted by Mercedes M. Yardley (an award-winning author in her own right) for inclusion in an anthology published by Crystal Lake Publishing. It was even more exciting to discover that “Rotten” was slated as the final story in the book! (This was one of my “firsts” last year. In fact, my work took the coveted spot of the last story in TWO anthologies: Arterial Bloom and Bitter Distillations.)
When Arterial Bloom came out in March 2020, I didn’t think I could be happier. (Just look at the gorgeous cover!) And then, I opened my email yesterday to discover that Arterial Bloom made the Bram Stoker Awards preliminary ballot for Superior Achievement in an Anthology!
Will Arterial Bloom make it to the final ballot? I suppose only time will tell. In any case, I will always appreciate this moment. There were times when I nearly trunked this story. I became convinced no one would want to read it, which makes it all that much sweeter that self-doubt didn’t win. I’m considering this journey a lesson in patience and resilience. Sometimes, stories just need to find the right editor to believe in them. Mercedes M. Yardley just so happened to be the perfect reader for this particular story. Thank you, Mercedes! And a special thanks to all of the readers who nominated this beautiful little book. It’s been a fabulous way to start the new year!
Superior Achievement in an Anthology
Bailey, Michael and Murano, Doug – Miscreations: Gods, Monstrosities & Other Horrors (Written Backwards)
Cagle, Ryan and Jenkins, James D. – The Valancourt Book of World Horror Stories, Volume 1 (Valancourt Books)
Flynn, Geneve and Murray, Lee – Black Cranes: Tales of Unquiet Women (Omnium Gatherum Media)
Givens Kurtz, Nicole – Slay: Stories of the Vampire (Mocha Memoirs Press)
Kelly, Michael – Shadows & Tall Trees 8 (Undertow Publications)
Kolesnik, Samantha – Worst Laid Plans: An Anthology of Vacation Horror (Grindhouse Press)
Neal, David T. and Scott, Christine M. – The Fiends in the Furrows II: More Tales of Folk Horror (Nosetouch Press)
Rector, Jeani and Wild, Dean H. – The Horror Zine’s Book of Ghost Stories (HellBound Books Publishing, LLC)
Tantlinger, Sara – Not All Monsters: A Strangehouse Anthology by Women of Horror (Rooster Republic Press)
Yardley, Mercedes M. – Arterial Bloom (Crystal Lake Publishing)
Kathleen has been shortlisted four times for the World Fantasy Awards, once for the Hugos, and once for the Locus Awards, as well as winning a number of Ditmars. As a writer, she has won two Ditmars and been shortlisted for the Eugie Foster Memorial Award and for several Aurealis Awards. She will be discussing her gorgeous debut novel Flyaway and the upcoming release of her travel memoir Travelogues: Vignettes from Trains in Motion.
In addition to the discussion facilitated by myself and Nike Sulway, there will be a chance for attendees to talk with Kathleen in the Q&A session as well as an opportunity to stretch the creative muscles with a writing game. The salon is strictly limited to 20 guests. Come join us!